Pale Blue Dot, Carl Sagan

We were wanderers from the beginning. We knew every stand of tree for a hundred miles. When the fruits or nuts were ripe, we were there. We followed the herds in their annual migrations. We rejoiced in fresh meat. through stealth, feint, ambush, and main-force assault, a few of us cooperating accomplished what many of us, each hunting alone, could not. We depended on one another. Making it on our own was as ludicrous to imagine as was settling down.
    Working together, we protected our children from the lions and the hyenas. We taught them the skills they would need. And the tools. Then, as now, technology was the key to our survival.
    When the drought was prolonged, or when an unsettling chill lingered in the summer air, our group moved on—sometimes to unknown lands. We sought a better place. And when we couldn't get on with the others in our little nomadic band, we left to find a more friendly bunch somewhere else. We could always begin again.
    For 99.9 percent of the time since our species came to be, we were hunters and foragers, wanderers on the savannahs and the steppes. There were no border guards then, no customs officials. The frontier was everywhere. We were bounded only by the Earth and the ocean and the sky—plus occasional grumpy neighbors.
    When the climate was congenial, though, when the food was plentiful, we were willing to stay put. Unadventurous. Overweight. Careless. In the last ten thousand years—an instant in our long history—we've abandoned the nomadic life. We've domesticated the plants and animals. Why chase the food when you can make it come to you?
    For all its material advantages, the sedentary life has left us edgy, unfulfilled. Even after 400 generations in villages and cities, we haven't forgotten. The open road still softly calls, like a nearly forgotten song of childhood. We invest far-off places with a certain romance. This appeal, I suspect, has been meticulously crafted by natural selection as an essential element in our survival. Long summers, mild winters, rich harvests, plentiful game—none of them lasts forever. It is beyond our powers to predict the future. Catastrophic events have a way of sneaking up on us, of catching us unaware. Your own life, or your band's, or even your species' might be owed to a restless few—drawn, by a craving they can hardly articulate or understand, to undiscovered lands and new worlds.
    Herman Melville, in Moby Dick, spoke for wanderers in all epochs and meridians: "I am tormented with an everlasting itch for things remote. I love to sail forbidden seas..."





Moby Dick, Herman Melville

Call me Ishmael. Some years ago—never mind how long precisely—having little or no money in my purse, and nothing particular to interest me on shore, I thought I would sail about a little and see the watery part of the world. It is a way I have of driving off the spleen and regulating the circulation. Whenever I find myself growing grim about the mouth; whenever it is a damp, drizzly November in my soul; whenever I find myself involuntarily pausing before coffin warehouses, and bringing up the rear of every funeral I meet; and especially whenever my hypos get such an upper hand of me, that it requires a strong moral principle to prevent me from deliberately stepping into the street, and methodically knocking people's hats off—then, I account it high time to get to sea as soon as I can. This is my substitute for pistol and ball. With a philosophical flourish Cato throws himself upon his sword; I quietly take to the ship. There is nothing surprising in this. If they but knew it, almost all men in their degree, some time or other, cherish very nearly the same feelings towards the ocean with me.





Blood Meridian, Cormac McCarthy

See the child. He is pale and thin, he wears a thin and ragged linen shirt. He stokes the scullery fire. Outside lie dark turned fields with rags of snow and darker woods beyond that harbor yet a few last wolves. His folk are known for hewers of wood and drawers of water but in truth his father has been a schoolmaster. He lies in drink, he quotes from poets whose names are now lost. The boy crouches by the fire and watches him.
    Night of your birth. Thirty-three. The Leonids they were called. God how the stars did fall. I looked for blackness, holes in the heavens. The Dipper stove.
    The mother dead these fourteen years did incubate in her own bosom the creature who would carry her off. The father never speaks her name, the child does not know it. He has a sister in this world that he will not see again. He watches, pale and unwashed. He can neither read nor write and in him broods already a taste for mindless violence. All history present in that visage, the child the father of the man.





All the Pretty Horses, Cormac McCarthy

The candleflame and the image of the candleflame caught in the pierglass twister and righted when he entered the hall and again when he shut the door. He took off his hat and came slowly forward. The floorboard creaked under his boots. In his black suit he stood in the dark glass where the lilies leaned so palely from their waisted cutglass vase. Along the cold hallway behind him hung the portraits of forebears only dimly known to him all framed in glass and dimly lit above the narrow wainscotting. He looked down at the guttered candlestub. He pressed his thumbprint in the warm wax pooled on the oak veneer. Lastly he looked at the face so caved and drawn among the folds of funeral cloth, the yellowed moustache, the eyelids paper thin. That was not sleeping. That was not sleeping.





No Country for Old Men, Cormac McCarthy

I sent one boy to the gaschamber at Huntsville. One and only one. My arrest and my testimony. I went up there and visited with him two or three times. Three times. The last time was the day of his execution. I didnt have to go but I did. I sure didnt wanted to. He'd killed a fourteen year old girl and I can tell you right now I never did have no great desire to visit with him let alone go to his execution but I done it. The papers said it was a crime of passion and he told me there wasnt no passion to it. He'd been datin this girl, young as whe was. he was nineteen. And he told me that he had been plannin to kill somebody for about as long as he could remember. Said that if they turned hum out he'd do it again. Said he knew he was goin to hell. Told it to me out of his own mouth. I dont know what to make of that. I surely dont. I thought I'd never seen a person like that and it got me to wonderin if maybe he was some new kind. I watched them strap him into the seat and shut the door. He might of looked a bit nervous about it but that was about all. I really believe that he knew he was goin to be in hell in fifteen minutes. I believe that. Called me Sheriff. But I didnt know what to say to him. What do you say to a man that by his own admission has no soul? Why would you say anything? I've thought about it a good deal. But he wasnt nothin compared to what was comin down the pike.
    They say the eyes are the windows to the soul. I dont know what them eyes was the windows to and I guess I'd as soon not know. But there is another view of the world out there and other eyes to see it and that's where this is goin. It has done brought me to a place in my life I would not of thought I'd of come to. Somewhere out there is a true and living prophet of destruction and I dont want to confront him. I know he's real. I have seen his work. I walked in front of those eyes once. I wont to it again. I wont push my chips forward and stand up and go out to meet him. It aint just bein older. I wish that it was. I cant say that it's even what you are willin to do. Because I always knew that you had to be willin to die to even do this job. That was always true. Not to sound glorious about it or nothin but you do. If you aint they'll know it. They'll see it in your heartbeat. I think it is more like what you are willin to become. And I think a man would have to put his soul at hazard. And I wont do that. I think now that maybe I never would.





Blood's a Rover, James Ellroy

Suddenly: The milk truck cut a sharp right turn and grazed the curb. The driver lost the wheel. He panic-popped the brakes. He induced a rear-end skid. A Wells Fargo armored car clipped the milk truck side/head-on.
    Mark it now:
    7:16 a.m. South L.A., 84th and Budlong. Residential darktown. Shit shacks with dirt front yards.
    The jolt stalled out both vehicles. The milk truck driver hit the dash. The driver's side door blew wide. The driver keeled and hit the sidewalk. He was fortyish male Negro.
    The armored car notched some hood dents. Three guards got out and scoped the damage. They were white men in tight khakis. They wore Sam Browne belts with buttoned pistol flaps.
    They knelt beside the milk truck driver. The guy twitched and gasped. The dashboard bound gouged hist forehead. Blood dripped into his eyes.